Last edited by Aragal
Sunday, August 9, 2020 | History

5 edition of The philosophy of sound, and history of music found in the catalog.

The philosophy of sound, and history of music

by W. Mullinger Higgins

  • 18 Want to read
  • 9 Currently reading

Published by W.S. Orr and co. in London .
Written in English

    Subjects:
  • Sound,
  • Music -- Acoustics and physics,
  • Music -- History and criticism

  • Edition Notes

    Added t.-p., engr.

    StatementW. Mullinger Higgins.
    Classifications
    LC ClassificationsML60 .H63
    The Physical Object
    Paginationviii, 256 p. :
    Number of Pages256
    ID Numbers
    Open LibraryOL6962919M
    LC Control Number05038563
    OCLC/WorldCa4235487

      Music education thrives on philosophical inquiry, the systematic and critical examination of beliefs and assumptions. Yet philosophy, often considered abstract and irrelevant, is often absent from the daily life of music instructors. In The Oxford Handbook of Philosophy in Music Education, editors Wayne D. Bowman and Ana Lucía Frega have drawn together a variety of philosophical . Scholar of African music Ruth M. Stone writes, for example, that “the isolation of music as sound is quite foreign in the conceptualization of most West Africans,” whose languages and cultural practices often wrap singing, drama, dancing, and instrumental performance into .

    The Philosophy & Aesthetics of Music By Edward A. Lippman University of Nebraska Press, Read preview Overview Music in the Mirror: Reflections on the History of Music Theory and Literature for the 21st Century By Andreas Giger; Thomas J. Mathiesen University of Nebraska Press, Confronting Contemporary Christian Music: A Plain Account of Its History, Philosophy, and Future H. T. Spence Foundations Bible College, - Contemporary Christian music - pages/5(3).

    An illustration of an open book. Books. An illustration of two cells of a film strip. Video An illustration of an audio speaker. or The philosophy of musical sounds Item Preview remove-circle Music -- Acoustics and physics, Musical temperament Publisher London: Printed for . He is coeditor of Understanding Rock (Oxford ), American Rock and the Classical Music Tradition (Harwood ), and Institutions, Traditions, and American Popular Music (Harwood ). His extensive writings on twentieth-century music, popular music, and the philosophy of music have appeared in numerous books and : $


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The philosophy of sound, and history of music by W. Mullinger Higgins Download PDF EPUB FB2

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The Philosophy of Sound, and History of Music Paperback – Aug by William Mullinger Higgins (Author) See all formats and editions Hide other formats and editions.

Price New from Used from Kindle "Please retry" $ — — Hardcover "Please retry" $ $ — Paperback "Please retry"Author: William Mullinger Higgins.

Get this from a library. The philosophy of sound, and history of music. [W Mullinger Higgins]. (shelved 1 time as music-philosophy) avg rating — 3, ratings — published Want to Read saving. Books. An illustration of two cells of a film strip.

Video. An illustration of an audio speaker. Audio An illustration of a " floppy disk. The philosophy of sound, and history of music by Higgins, William Mullinger.

Publication date Topics Sound, Music -- Acoustics and physics, Music -- History and criticismPages: Essays on the Philosophy of Music, translated by Peter Palmer, with an introduction by David Drew.

Cambridge and New York: Cambridge University Press. ISBN ISBN (pbk). Bonds, Mark Evan. Absolute Music: The History of an Idea. Oxford and New York: Oxford University Press.

ISBN Budd, Malcolm. He presents a thorough investigation of the physical, emotional, mental and spiritual effects of music, the characteristics of healing music, procedures for using music as a healing agent and advocates a new philosophy of music as a transcendent experience.A scholarly survey of the history, theory and practice of sound and music healing Reviews: The philosophy of music involves a study of basic questions regarding music, such as what music really is, what are the conditions that classify something as music (as opposed to noise, for example), how does culture influence music, how music is perceived as pleasurable and what is the relationship between music and emotions.

PDF | Book Information Introduction to a Philosophy of Music. By Peter Kivy. Clarendon Press. Oxford. xii + Hardback, £ Paperback, £ | Find, read and cite all the. In Marchthe von Trapp family gathered in a New York theater for a special presentation of 20th Century Fox’s new film The Sound of Music, about their early life.

philosophy of music Download philosophy of music or read online books in PDF, EPUB, Tuebl, and Mobi Format. Click Download or Read Online button to get philosophy of music book now. This site is like a library, Use search box in the widget to get ebook that you want.

seen five book-length introductions to the philosophy of music.) The term “analytic” philosophy is used to refer to the style, method, and subject matter of much English-language philosophy. A History of Western Philosophy – Bertrand Russell.

Bertrand Russel’s ‘A History of Western Philosophy’ has held a position of reverence since it’s first publication in Comprehensive, erudite and revealing; this is a history written by one who. What distinguishes music from non-music. The world is replete with sound -- both man made sounds and the sounds of nature.

Many of these sounds are quite beautiful -- the cries of various animals, the sound of the ocean, the whistling wind, the human voice, the majestic boom of the space shuttle as it rockets into space.

A History of Muslim Philosophy Volume 2, Book 5. Part 1: Language and Literature. Chapter Arabic Literature, Poetic and Prose Forms “Sound produces an influence on the soul in two directions. One is on account of its special composition in the New Oxford History of Music, Oxford University Press, London,1, p.

PMER invites original and previously unpublished submissions, including articles (no longer than words) addressing philosophical or theoretical issues relevant to music education; responses to articles that have appeared in PMER, or comments on other issues relevant to the philosophy of music education (no longer than words); and book reviews, offering critical analysis of recent.

The musica universalis (literally universal music), also called music of the spheres or harmony of the spheres, is an ancient philosophical concept that regards proportions in the movements of celestial bodies—the Sun, Moon, and planets—as a form of "music" is not thought to be audible, but rather a harmonic, mathematical or religious concept.

Philosophy (from Greek: φιλοσοφία, philosophia, 'love of wisdom') is the study of general and fundamental questions about existence, knowledge, values, reason, mind, and language.

Such questions are often posed as problems to be studied or resolved. The term was probably coined by Pythagoras (c. – BCE). Philosophical methods include questioning, critical discussion, rational. Philosophy of Music: A History.

Riccardo Martinelli - - Berlino, Germania: de Gruyter. Ranging from Antiquity to contemporary analytic philosophy, this book provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume.

This book republishes and supplements a special issue of Journal of Aesthetics and Art Criticism, The Philosophy of Music. Taken as a whole, this diverse set of essays provides an excellent introduction to the range of topics explored in recent philosophy of music.

Bowman, Wayne D. Philosophical Perspectives on Music. New York and Oxford. THE PHILOSOPHY OF SOUND — Charlotte E. Woods The universal power of music over mental states gives rise to much fascinating speculation among musicians who are philosophically inclined concerning the rationale of sound, and its correspondence with other vibrational phenomena in nature.

It is not enough for some minds to experience the elevating effects of certain combinations of sounds upon.About the Book. Richard Leppert boldly examines the social meanings of music as these have been shaped not only by hearing but also by seeing music in performance.

His purview is the northern European bourgeoisie, principally in England and the Low Countries, from to And his particular interest is the relation of music to the human body.Philosophers on Music Experience, Meaning, and Work Edited by Kathleen Stock.

A Clarendon Press Publication. Mind Association Occasional Series. Philosophers on Music: Experience, Meaning, and Work presents significant new contributions to central issues in the philosophy of music, written by leading philosophers working in the analytic tradition.

The issues tackled include: the question of.